I was touring the Silas Wright house (see also Part 1, posted yesterday), and took a closer look at the fireplace. The
dutch oven, according to the brochure, was then called a "beehive" oven.
The wallpaper, while not original, was in the oriental style which was
popular at the time:
This looked to me like a bedroom dresser, but if I read the brochure
correctly, it was a "butler's desk," a place for the servants to keep
documents and records of the house:
From the dining room, I proceeded into the study, where Silas Wright
spent much time writing letters and conducting political business while
at home. I thought the top hat was a nice touch:
Also in the study were other comfortable furnishings, including the sofa, which did indeed belong to the Wrights:
These law books and Assembly records once belonged to Silas Wright:
The Silas Wright house had spacious double parlors, places to entertain
and conduct the formal affairs of a Senator and Governor:
The piano in the rear parlor was manufactured by the Badlam Piano Works of nearby Ogdensburg about 1850:
Reflected in the mirror was an oil painting which, I read, was
originally thought to be a portrait of Clarissa Wright (Silas' bride) in
her wedding bonnet. Alas, later research indicated that it is more
likely to be Clarissa's sister-in-law, Susan Brown Moody:
This portrait was of Silas Wright Jr:
The brochure informed me that the center table belonged to the Wrights.
The pair of card/gaming tables were brought into St. Lawrence County in
1825, although they didn't belong to the Wrights:
The entrance hallway had framed lithographs of George and Martha Washington and a hand painted floor cloth:
This photo gives you an idea of how the double parlors were connected and
the comfortable, albeit formal, feelings they evoked. This was the end
of my tour of the living area of the Silas Wright house. But there was
more to see at the museum, so tune in tomorrow for another post:
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